Saturday, October 24, 2015

August 17, 2015: Talk on "Tamil cinema and the devadasi tradition" by Theodore S. Baskaran at the Roja Muthiah Research Library

Attended lecture on "Tamil cinema and the Devadasi tradition" by eminent Tamil film historian and wildlife conservationist Theodore S. Baskaran. The lecture started with an introduction by S. Muthiah who spoke of Theodore Baskaran, his multifaceted accomplishments and heaped lavish praises on his first book "The Message Bearers" which he rated as a must-read. Mr. Baskaran then took over and gave a fascinating, thoroughly professional and stats-filled narrative of the early history of Tamil cinema and how the Devadasi community the Isai Vellalars were omnipresent in the early days of the industry.

The first Tamil movie, Kichaka Vadham, Mr. Baskaran said, released in 1916 while the first talkie Kalidas released in 1931. The silent era, therefore, lasted 15 years. This was a time when there wasn't much creativity in the industry. By contrast, stage plays were facing unprecedented growth in their fan-following. The reason for this, Mr. Baskaran said, was the Devadasi Abolition Act of 1924. As devadasis could no longer perform in temples, they joined drama companies where their singing talents became indispensable.  Some of them such as Balamani and Kamalambal even had their own drama companies. However, still in a drama troupe, the script-writer or vadhiyar was the most important. When movies began talking in the early 1930s, there was a huge demand for artistes who could sing. This triggered an exodus of devadasis to the film industry. K. R. Saradambal was one of the earliest to make the transition. Scores of singers, dancers and musicians from the community followed in her footsteps ancd some put firm roots in the film industry.Take for example, the family of S. P. L. Dhanalakshmi that had lasted in the film industry for three generations. Kumbakonam, Mr. Baskaran said, emerged as one of the principal centres of the devadasi community. And plenty of plays were staged here. 

The reason why devadasis were so successful in films, Mr. Baskaran explained, was due to the fact that while Hollywood films had evolved from the silent to the talking phases, Indian movies hadn't.  In Hollywood, movies had assumed an identity of their own independent from stageplays even during the silent phase while Indian movies, even during the talkie phase, were simply  filmized versions of popular mythological dramas. (I would object to such a viewpoint. Many of the earliest talkies made in Hollywood were barely revues or filmized stageplays with songs and the kind). And as lesser importance was given to acting than dancing and singing, devadasis shone.

Mr. Baskaran also listed some of the greatest stars of early Tamil cinema. The greatest was, undoubtedly, M. S. Subbulakshmi. Another was the first "dream girl" of Tamil cinema, T. R. Rajakumari. Others such as N. C. Vasanthakokilam and M. L. Vasanthakumari established themselves primarily as singers. K. S. krishnamurthy was another doyen from the community who ventured into film direction. Along with the devadasis, Mr. Baskaran also told the story of the vocalists and musicians who made it big. Some nattuvanars from the Isai Vellalar community worked as dance teachers and choreographers in Tamil films. The most successful among them was V. S. Muthuswami Pillai who worked in movies such as Malai Kallan.

Beofre Mr. Baskaran ended his lecture, he showed us short clippings from movies of the 1930s and 1940s. While the marriage concert by P. A. Periyanayaki from the movie Sabhapathy was shown, it was surprising why Mr. Baskaran had left out the short Bharatanatyam dance performance by R. Padma from the same movie.  It was also interesting to note that P. A. Periyanayaki and R. Padma were related by marriage (Padma's son was married to Periyanayaki's daughter). Padma's daughter Sai formed part of the Sai-Subbulakshmi duo that acted in a few films in the 1950s. Another movie from which clippings were beamed was the 1942 Aryamala which starred M. S. Sarojini. A few short clippings from movies of the 1950s were shown before Mr. Baskaran wound up the lecture with a clip from Boys (2003) to illustrate how much dance in movies had evolved.



August 16, 2015: Tree walk - "Paarkum Marangal Ellaam" at Kotturpuram Tree Park by Nizhal Foundation

Attended Tree Walk - Parkkum Marangal Ellaam organized by Nizhal Foundation at 4.30 PM. The walk was good and two volunteers from Nizhal, Ms. Rajani, a school teacher and Mr. Gajendran, a college student, identified each tree and explained their uses and cited references in Sangam literature.  So, having spent much of the week visiting old dilapidated buildings and listening to lectures on sepulchres from the Stone Age, it was a different sort of heritage for me - Chennai's rich indigenous plant wealth. I have never known that such an extensive and well-maintained park existed on the fringes of the Adyar River (I never knew and am still not sure whether the Adyar Eco Park had so many species of indigenous plants - it was more suited to bird-watching, I thought).It was a wonderful initiative by Nizhal and I never knew that Sangam Age works provided such deep insights into the flora of ancient Tamizhakam. I shall jot down here as much as I can remember. I can give no assurances upon the veracity of my account or its completeness.

The entrance to the Kotturpuram Tree Park, also known as Riverview Avenue Park





Narrators Mr. Gajendran (in yellow shirt) and Ms. Rajani (in green dress) along with volunteers from the Nizhal Foundation.



Punnai or the alexandrian laurel (Calophyllum inophyllum) is the sthala vruksham in the Kapaleeswarar Temple, Mylapore and
Thiruvidandhai. The leaves, bark, flower and fruits of the tree have medicinal uses. It is endemic to the Neythal areas.


The Ashoka tree (saraca asoka), the narrators said,  is believed to be the tree under which the Buddha was born. There are found in large numbers in the island of Sri Lanka. Ashoka trees often grow to great sizes and occupy large spaces, our hosts explained,  that it is difficult to contain within the small space available in a park. 






The Magizham tree (Mimusops elengi) gets its name because its flowers have a pleasing odour. The tree is also known as bullet wood as its fruits are shaped like bullets. The fruit is edible and sweet to taste.




The Vengai tree (Pterocarpus indicus) is intimately associated with the worship of the Hindu god Murugan. When Valli's brothers and father came to meet him, Murugan transformed himself into a Vengai tree.


The Neer Marudhu or Arjuna Tree (Terminalia arjuna) is a tree which is endemic to the Marudham areas.





The Veppalai is a tree which is endemic to the Palai or desert areas. Its prevalence in dry barren lands is attributed to its low water requirement. Veppalai flowers are white in colour and during dispersal, mimic snowfall. The fruits of the plant appear like tongs of a blacksmith.







The flowers of the Nocchi plant (Vitex Negundu). The Nocchi tree has medicinal uses. It has sets of five leaves arranged around a single stem. The flowers are purple in colour.



The Iluppai tree (Madhura longifolia), also called Iruppai and Mahua, bears flowers which are sweet to taste. They were often used as a substitute for sugar and  used by tribals in manufacture of a kind of local toddy. The leaves resemble those of  mango and the tree itself resembles a mango tree. However, the leaves are more softer and lighter than the thick and heavy ones of the mango. The tree is highly venerated and protected by India's forest tribes.




The walk ended with a passionate appeal from the organizers for the proliferation of local tree varieties. We were requested to assist by volunteering on weekends in shramdaans at the Kotturpuram Tree Park or lend a hand in the creation of the planned garden of herbal medicine nearby. Nizhal also promised their expertise and assistance if we wished to developed parks in our areas or conduct tree walks.


August 15, 2015: Talk on "History and heritage of the Coovum River" by R. Venketesh and T. R. Shaswath at the Madras Literary Society

Attended presentation on "History and heritage of the Coovum River" by Mr. R. Venketesh​  and Mr. T. R. Shaswath. It was trivia-filled as the team which has been researching the Coovum River and its banks for some years now finally briefed us on the result of their investigations. Mr. Ramakrishnan listed the firsts that have taken place on the banks of the Coovum. The first airplane flight (1910), the first medical certificate to be issued by a hospital,  the second oldest hospital in India (next to Calcutta's GH by only four days), the first Indian to write a will, one of the oldest universities, the oldest library in India are the ones which I remember. In the midst of the interesting trivia, Mr. Ramakrishnan spoke of temples on the Coovum banks. Would you not be surprised if someone tells you that the town of Koyambedu had a Ramayana connection and that atleast one popular legend connected it with the birth of Kusha, the younger son of Rama and Sita. Yes, Koyambedu was Kushanagar (Another legend gives the place of Kusha's birth as the town of Kasur, in present-day Pakistan near the Indian border. There are many other candidates as well all vying for a share of pilgrim traffic). But then, there are many places on the Coovum with divine associations. Many of these temples did not have priests, Mr. Ramakrishna said and devotees had to unlock the gates and minister to their needs themselves. It was interesting to learn that there is a Koova Purana in the Skanda Purana under the Sanathkumara Samhita.


August 15, 2015: Heritage walk - "Mylapore and the Freedom Movement" by V. Sriram

Had a memorable Independence Day with the Mylapore walk led by Sriram Venkatakrishnan​.   We began at the Srinivasa Gandhi Nilayam at Ambujammal Street where ashes of Mahatma Gandhi are kept. At the entrance to the building was a huge portrait of Ambujammal. Ambujammal, the daughter of S. Srinivasa Iyengar CIE, a leading advocate and politician, was a freedom fighter who was awarded the Padma Shri by the Indian government in 1964. Next Mr. Sriram led us to Murray's Gate Road   , where singing star K. B. Sundarambal once resided. The house was a gift from media magnate K. Srinivasan of The Hindu. Mr. Sriram narrated interesting anecdotes from the lives of Sundarambal and her husband, S. G. Kittappa including the fact that Kittappa auctioned off his fountain pen once for a princely sum. The amount so earned was deposited in the coffers of the Indian National Congress. But their love story was by no means a dream tale - a pity that Kittappa died young. Mr. Sriram also narrated how Gandhi visited the twenty-something widow and convinced her to return to public life and fight for independence.

Next in our itinerary, was The Grove, the residence of Sir C. P. Ramaswami Iyer, one of those enigmatic personalities who lend colour to the history of the freedom struggle and Partition. Born with a  silver spoon in his mouth. Sir C. P. excelled in his studies and chosen profession. By 1920, he had established his reputation as one of the leading lawyers in the country. Among his briefs was the Krishnamurti-Nityananda custody case against Annie Besant also called the Besant v Narayaniah trial which became a sensation in the country. While Sir C. P. successfully fought on behalf of Narayaniah for the custody of his two sons, he reconciled with Besant shortly afterwards and lent vociferous support to her Home Rule Movement. When the British government decreed that it would be illegal for Besant's newspaper New India to function from any building whatsoever, Sir C. P. bought the newspaper and allowed the press to function from underneath a tree in The Grove, his family residence.  It was a great experience to meet the acclaimed scholar and great grand-daughter of Sir C. P., Dr. Nanditha Krishna who resides in a building within the property. We did visit that building, too, and at its entrance came across a tablet commemorating the birth centenary of Sir C. P.

Then Mr. Sriram took us to Luz Church Road for the most interesting part of the walk. It was the story of two remarkable, independent-minded women - Ambujammal and Durgabai Deshmukh. The first  building Mr. Sriram took us to was Amjad Bagh, once a residence of the Nawab of Arcot which was later occupied by British government officials and finally ended in the hands of S. Srinivasa Iyengar. Srinivasa Iyengar was a highly successful lawyer who served as Advocate general of the Madras Presidency from 1916 to 1920. In the later years of his life, he was also a very successful politician leading the Swarajya Party to a majority in the Madras Legislative Council in the 1926 elections. Srinivasa Iyengar was married to one of the many daughters of Sir V. Bhashyam Aiyangar, one of half-a-dozen famous Vembakkams and the first Indian to act as Advocate General of Madras. Mr. Sriram then listed other famous Vembakkam lawyers, V. C. Desikachari, V. C. Gopalratnam, etc. The life of one of the Vembakkams (though not a lawyer), V. Ramiengar, would make interesting reading in itself. Until recently, there used to be opposite to the Amjad Bagh the residence of C. V. Ananthasubramaniam, once Chief Justice of Cochin state. But the house has been demolished recently probably to make way for a series of flats. Today, C. V. Ananthasubramaniam is remembered for  framing that famous ordinance which banned the singing or publication of any song written by the nationalistic poet, Subrahmanya Bharathi. The prohibition of Bharathi's songs back then, I can imagine, must have produced a Streisand effect enhancing their popularity and prestige even more. 

Now coming back to Ambujammal, born into one of the most affluent families in the city, both Ambujammal and her husband Desikachari (who was from a humbler background) felt themselves surrounded by a gilded cage. Whilst the situation had a strong adverse effect on Desikachari's mental health, upon Ambujammal the impact was more mild and physical. And then came Gandhi on a visit. The visit that lasted barely a week changed Ambujammal forever. She renounced all the luxury and comfort and plunged into the freedom struggle spending time in jail on a few occasions. When Ambujammal returned after serving a particularly long prison term, Srinivasa Iyengar surprising welcomed her back into the household. Whatever be his attitude toiwards Gandhi and the Civil Disobedience movement, Srinivasa Iyengar was still an ardent nationalist - the discoverer of Kamaraj as well as "Pasumpon" U. Muthuramalinga Thevar. However, fate was not to be as good to Srinivasa Iyengar and his descendants as they had been to the nation.  Srinivasa Iyengar's grandson died in a lightning strike and his son Parthasarathy renouned family and pleasures and became a sanyasi taking the name Anbananda.

Next comes the epic tale of Durgabai Deshmukh, portions of which seem too improbable to be believed. Born in 1906 or 1907 in Cocanada (as Kakinada was known back then), Durgabai was married off at an early age. But she despaired of her married life and compelled her husband to marry again, even  finding a wife for him and conducting their marriage herself. Now these appear fine ingredients for a feature film (or one of those wierd soaps you come across on TV).  Freed of her family bonds, Durgabai started with social reform and gradually entered the freedom movement. Once when Gandhi insisted upon a  donation of Rs. 500 from each visitor who came to see him, Durgabai went on a collection spree  and accumulated a sum of Rs. 8,000 for all the inmates of the destitute women's ashram that she ran. Durgabai was later elected to the Madras legislature and remarried on the advice of Jawaharlal Nehru. Her husband this time was the eminent civil servant Sir C. D. Deshmukh, the third Governor and the first Indian Governor of the Reserve Bank of India.  In regard to appearance they were poles apart, Durgabai being considered far less attractive than her partner. But in temperament, they were extremely compatible and proved to be an ideal pair. Towards the end of her life, when Durgabai had lost her eyesight, she typically remarked that as long as Chintaman Deshmukh was there by her side she had nothing to fear. They would die within few years of the other, Durgabai predeceasing her partner.  Today, there are few relics of Durgabai in the city, one the street named after her and the other, the Andhra Mahila Sabha that she helped establish. And it was as a part of the history of the Andhra Mahila Sabha that Mr. Sriram narrated her story.

Also in our itinerary was Ekamra Nivas, the house of Sir Alladi Krishnaswami Iyer. Alladi, Mr. Sriram explained, was by far the longest serving Advocate General of Tamil Nadu. In his younger days, he was known to be a studyholic and he established a reputation for expertise in legal matters. Mr. Sriram compared Alladi with Semmangudi Srinivasa Iyer while equating Alladi's predecessor T. R. Venkatarama Sastri to Ariyakudi Ramanuja Iyengar. While Ariyakudi was smooth and polished, Mr. Sriram remarked, Semmangudi was crude though far more knowledgable. 

Another famous Mylapore house was Shree Bagh owned by freedom fighter and Telugu language activist Kasinadhuri Nageswara Rao, the editor of Andhra Prabha who founded the herbal balm Amrutanjan. In this house was penned the Shree Bagh Agreement which for the first time proposed the establishment of a separate Andhra State with its borders clearly delineated. But before it came to Rao's hands, Shree Bagh was the property of P. R. Sundaram Iyer, another legal luminary. Sundaram Iyer and his contemporary V. Krishnaswami Iyer, Mr. Sriram remarked, were the Siamese twins in the legal profession. Both were born at about the same time, studied together, graduated at the same time and practised at the same time. Both would die young, probably due to overwork. Krishnaswami Iyer shared a love-hate relationship with the great Tamil nationalist poet Subrahmanya Bharathi. While he funded some of Bharathiar's early publications, towards the end, he became a imperialist icon  hated by militant nationalists and ironically, his protege Subrahmanya Bharathi. When Krishnaswami was appointed judge, Bharathi was openly critical of the appointment.

The last leg of our walk took us to Ranade Hall. Named after M. G. Ranade, the hall was founded in 1905 as a part of the South Indian National Association. In the 1950s, the Srinivasa Sastri Hall named after V. S. Srinivasa Sastri was constructed on the first floor of Ranade Hall. Sastri hall was the venue for many Carnatic concerts and according to Mr. Sriram, the hall had a profound influence on the history of Carnatic music. From the edge of North Mada Street, Mr. Sriram pointed out the house of Diwan Bahadur R. Raghunatha Rao that lay across the road. A cousin of Sir T. Madhava Rao and a former Diwan of Indore, Mr. Sriram said, Raghunatha Rao's house was the place were a prominent meeting of seventeen eminent people of South India, most of them members of the Madras Mahajana Sabha, were held in 1884 to discuss the need for a pan-Indian body. These were the seeds of ideas from which germinated the Indian National Congress, an year later. The house no longer exists and a highrise had been built at the spot - an indicator of how much regard we have for our heritage.

This is a brief synopsis of a 2 hour narrative. Words simply don't do justice - you should be a part of the walk to see places and hear things first hand. Thanks to Mr. Rajagopalan Venkataraman for providing hints - dots that made it easy for me to connect. And thanks to Mr. Sriram for enriching our knowledge. And it was a privilege to actually have members of Sir Madhava Rao's family and Krishnaswami Iyer's around.

 Srinivasa-Gandhi Nilayam


 Portrait of Ambujammal


 Inside the Srinivasa-Gandhi Nilayam


K. B. Sundarambal's house since demolished and replaced with modern buildings
 

 Plaque erected by Dr. Hidyathullah, the then Governor of Tamil Nadu, in 1980 during Sir C. P.'s centenary commemorating the tree underneath which the press of "New India" functioned during Annie Besant's incarceration.


Ranade Library (ground floor) and the Srinivasa Sastri Hall (first floor)

August 14, 2015: Talk on "Ceramics and Celts - Stone Age settlements in Chennai" by Dr. S. Suresh at the Roja Muthiah Research Library

Attended lecture on "Ceramics and Celts - Stone Age settlements in Chennai" by Dr. S. Suresh of the Archaeological Survey of India (ASI). Dr. Suresh started with the recent history of Chennai and journeyed back in time to the Stone ages. Dr. Suresh praised Chennai in the broadest terms as a metropolis of great antiquity and continuous habitation which had settlements of nearly every age.  The first breakthough, Dr. Suresh, explained was made on 23 May 1863 when the antiquarian Robert Bruce Foote discovered a handheld stone axe near Pallavaram. Suresh surprised us by revealing that the axe was found very close to the railway track.  The discovery was highly publicized and the artifacts made their way to the Government Museum at Egmore. This was the discovery which made Madras one of the oldest inhabited sites in India with its earliest habitations going back to about 500,000 BC even before the time of Neanderthals. Next important discovery came during the early 1920s when the ICS officer L. A. Cammiade (I wrote an article on him for Wikipedia a few days back. While Collector of Tirunelveli, he was also the discoverer of the Tamil Brahmi inscription at Marungaltalai in 1906, only the second of its kind to be discovered) along with a colleague Mr. King discovered artifacts in Chetpet along the Poonamallee High Road and a trial dig revealed ring wells confirming human habitation in ancient times. A detailed excavation revealed the presence of a Stone Age habitation along Poonamallee High Road. However, the artifacts discovered have been lost to posterity as most of them have probably been shipped to the United Kingdom where they were lost. (According to one theory, the artifacts were kept in the Victoria and Albert Museum in London but this is yet to be verified).  Another major event was the discovery of pottery and sarcophagus in the garden of an European resident Prudhomme in Halls Road, Kilpauk in 1932. This was followed by extensive excavations by T. G. Aravamudhan of the Madras Museum which lasted months. In the end, they found plenty of artifacts, among them being a sarcophagus and a idol of a figure rudely resembling the Hindu god Shiva. The settlement was dated to about 4000 BC. Since then, Dr. Suresh said, no excavations have been carried out in Madras city limits.  But sporadic discoveries have been made, often by accident, and the occasional treasure trove unearthed. Among them could be grouped the discovery of Roman coins at Mambalam and a Pallava coin in Thiruvanmiyur. But Dr. Suresh did not mention a word about the 1950s when there was a craze for palaeohistory brought by Sir Mortimer Wheeler and some of his proteges like V. D. Krishnaswami and K. V. Soundararajan unearthed a number of Stone Age sites in Tamil Nadu, manu of them being in the then Chingleput district (the present-day Tiruvallur and Kanchipuram districts).  

Once Dr. Suresh completed his lecture, there was a short speech by Mr. Sait, a businessman who spoke about his lineage and his grandfather Cassim Sait's extensive collection of invitations. An then, the exhibition "History through Invitations" was inaugurated by Prof. Francis Nye of the University of Chicago. Most of the invitations dated to the 1940s and came from important personages of the period such as Lord Hope, Governor of Madras, Archibald Edward Nye, the last British governor of Madras, M. A. Jinnah, from Governors and Chief Ministers of Madras, one from Governor-General Rajaji and some for religious gatherings and parties. The name Sait does ring a bell (Ebrahim Sait!!!) And then there was one Abbas Khaleeli (were they of Iranian descent). I wrote a word of appreciation on the guestbook before leaving for home. Was quite useful and memorable.










August 9, 2015: 60 yrs of Aussie cricketing history in Chennai at Crowne Plaza Adyar Park

Visit to Hotel Adyar Park for exhbition on "60 years of Australian cricketing history in the city" by the Australian consulate was disappointing. The exhibits were bad in quality and the photographs culled from articles in The Hindu. Starting from the first test tour by Australia in 1956, the exhbits covered only test match and ODI tours.  Other first class tours such as those by the Maharajah of Patiala's Australian XI and the Australian Services team before independence, were completely ignored. Perhaps, it might have also been a little better had they included a brief history of Australian cricket tours of Chennai also.



Thursday, October 22, 2015